Materials and technique statement

Jamie Gray is an installation artist who transforms shaped wood panels into distinct pieces by fusing and layering encaustic wax – a blend of pigment, beeswax, and tree resin - on their surface. Encaustic art is a historic technique that dates to ancient Egyptian art, around 100–300 AD. It is highly archival and colorfast; it is impervious to moisture and does not yellow. The wax provides a deep, luminous quality and can be polished to a shine. The wax’s unique properties mean the artwork’s hue and surface reflection are ever-changing from different viewing angles and lighting conditions. Gray enhances the supple wax surface through her repetitive mark-making process, adding textures and abstract motifs. She intentionally connects her artistic practice to her love of nature by using natural, renewable materials and employing slow, handcrafted techniques.

Care and Handling of Encaustic Art

While the hardened wax surface is quite robust, it can still scratch or chip if not handled carefully. Treat encaustic art like any other piece of fine art. 

As the wax cures over the first 6-12 months, the artwork may develop “bloom,” a naturally occurring hazy or dull residue (this can be more apparent on dark colors). You can renew the glossy wax luster by gently buffing the entire wax surface with a soft, lint-free cloth.

Transport & storage

When packing encaustic art for transportation or storage, always cover the artwork’s wax surface with clean wax or parchment paper first, then wrap it in a layer of protective foam. Never wrap the artwork directly in plastic (such as plastic wrap or bubble wrap) as this will leave imprints on the surface. 

Temperature 

Hang, transport, and store encaustic art in normal indoor room temperatures. Do not place work in areas exposed to freezing temperatures or intense heat. The wax has a total melting point of 150°F.

Installation

Handle the wax surface with care. Wear cotton gloves when handling to prevent finger oils from transferring to the surface. However, if fingerprints appear simple buff the entire surface clean with a soft, lint-free cloth.

When carrying and installing larger panels or large unified wall sculptures, avoid forcing the small connecting joints to prevent them from breaking. Carry the large sections vertically to minimize strain on the connecting joints.

The artist recommends installing her artwork under natural daylight or soft gallery lighting, rather than harsh spotlights.

Cleaning

Avoid touching the wax surface, however, if moisture or fingerprints appear, simply buff the entire surface clean with a soft, lint-free cloth. Do not use chemical cleaners.

Encaustic art does not require varnishing or protection by glass; however, just like glass, the surface can attract everyday dust with air exposure. You can renew the glossy sheen by gently buffing the entire surface with a dry, soft, lint-free cloth.